请根据七律长征 内容诗配画 雪山草地红军

提示词:Please create a painting based on the content of "Seven Laws of Long March" with keywords suitable for Qiyu AI description in traditional Chinese painting style. **"Seven Laws · Long March" poem paired with painting AI keyword description (traditional Chinese painting style)** Core scene: Majestic snow mountains shrouded in clouds and mist, vast grasslands with deep muddy swamps, the Red Army's troops winding like a dragon, the red flag piercing through the cold sky. Composition of the painting: 1. Vertical full view: Using the high and far composition of traditional landscape painting, the foreground features dry grass swaying in the marshy wetland, the middle ground depicts the winding troop of the Red Army, and the background shows snow peaks piercing the clouds, layered mountains and ridges. 2. Ink wash tone: Using strong and dry brush strokes to outline the icy ridges of the snow mountains, light ink washes to depict the frozen clouds' gloom; ochre mixed with ink splashed to illustrate the desolate grassland, burnt ink dots emphasizing the muddy texture. 3. Character highlights: The Red Army soldiers are depicted using succinct freehand line drawing—hats and raincoats faintly visible, leg bindings and straw sandals treading through thorns, resolute faces gazing into the distance, weapon and grain sack details hidden within the ink haze. Symbolic elements: • Blood-red flag: The party flag stained in vermilion flutters amidst the gray and white snow mountains, half-hidden by the wind and snow, resembling the dawn light. • Iron chains glimmering coldly: The Jinsha River and Dadu Bridge are sketched with iron wire and silver hooks, the waves solidifying into icicles, alluding to the epic contrast between "warmth" and "cold." • Lonely goose flying low: In the blank space, a lone black goose flies against the wind, creating a spatial echo with the Red Army troops. Atmosphere rendering: • Color control: Overall cool gray tones reveal hints of ochre at the corners of the flags and cold gold on the weapons, while titanium white is applied at the peak of the snow mountain to represent year-round snow accumulation. • Brush technique fusion: The grassland areas use dry brush flying white techniques to simulate the texture of dry grass, while the swamp water stains are colored with wet ink to evoke a sense of danger. • Poetic calligraphy: The blank space on the right side features the quote “The Red Army is not afraid of the hardships of the expedition” written in cursive Mao style, with a vermilion seal pressed at the corner. Keywords chain suitable for Qiyu AI: Impressionistic revolutionary-themed traditional Chinese painting, snow mountains and cloud mist rendering, grassland dry ink washes, red flags adorned with vermilion, silhouettes of the Red Army marching, balancing grandeur and heroism, Pan Tianshou's bone method of brushwork, Li Keran’s ink accumulation technique, Fu Baoshi’s stormy wash, historical vicissitude feeling, poetic calligraphy in blank spaces. Effect illustration: In the painting, the foreground marsh is represented with contrasting ink colors that conceal hidden dangers, the middle ground Red Army troop forms a visual rhythm through sparse and dense arrangements, the highest point of the snow mountain uses "axe-splitting strokes" to enhance the treacherous feeling, and the subtle warm tones breaking through the clouds suggest the outcome of “all three armies smiling after crossing,” while maintaining a revolutionary realism aesthetic. --ar 16:9 --v 6.1 --weird 2121 --stylize 750 --no - avoid cyberpunk/thick painting/ - disable ukiyo-e/rococo decoration - prohibit surreal mechanical elements
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